Fences Research Paper

There are many things in life that are hard to explain within themselves, which is why people often use metaphors to expand on their speech. Whether it is a poet comparing their love to a rose or a woman comparing a man to a dog, almost everyone uses metaphors in their everyday language. Many good examples of metaphors in everyday writing are found in August Wilson's play, Fences. In this play there are also many ways that the characters use "fences" as both figurative and literal terms. All these forms of writing really expand on the story and help people to understand the characters much better.

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In the play Fences the biggest thing that is used as a metaphor, mostly by the main character Troy, who used to play for the Negro Leagues. Troy is a man that has been in trouble in the past and gone to jail, but is a simple character that is relatively old fashioned. He uses baseball to relate to a lot of things because he is certain about his knowledge of the sport, and therefore feels confident about what he says. The first time he used baseball as a metaphor he was talking about death, and used it to better explain himself.

"Death ain't nothing. I done seen him. Done wrastled with him. You can't tell me nothing about death. And you know what I'll do to that! Lookee here, Bono am I lying? You get one of them fastballs, about waist high, over the outside corner of the plate where you can get the meat of the bat on it and good god! You can kiss it goodbye. Now, am I lying?" (Pg 10)

Troy uses baseball as a metaphor in this paragraph to show that he is not scared of death, and that if it came for him "you can kiss it goodbye." This shows that he is a very courageous man, and that he is unflinching to death.

He also uses baseball as a metaphor with his kids, in a way of warning them। When his son Cory did something wrong he told him,"I'm gonna tell you what your mistake was see you swung at the ball and didn't hit it. That's strike one. Don't you strike out!" (pg 58)

Troy talks this way because it is the only way how, and takes it to the extent of raising his kids with it. This shows that if you do something enough, like play baseball, it becomes a part of your everyday speech and life, like Troy. He does this again later in the book when he tells Cory, "Alright. That's strike two. You stay away from around me, boy. Don't you strike out. You living with a full count. Don't you strike out."(pg 72) He really came accustomed to using baseball language and therefore started using it for everything, which shows in the way he talks.

The last time Troy used baseball as a metaphor was when he was having a conversation with his wife Rose and was talking about his life.

"Maybe I come into the world backwards, I don't know. But you born with two strikes on you before you come to the plate. You got to guard it closely always looking for the curve-ball on the inside corner. You can't afford to let none get past you. You can't afford a call strike. If you going down you going down swinging. Everything lined up against you. What you gonna do. I fooled them, Rose. I bunted. When I found you and Cory and a halfway decent job I was safe." (pg 69-70)

Troy was a simple man and didn't have many ways to explain himself, so he used baseball, something that he knew. He was basically saying that he was born with the world already against it and didn't want to go out without a fight, so he took his chances and swung for the fences.

In this play fences are used as well, both figuratively and literally। This was used as an agent to give deeper meaning to the play, and make the reader think more about the statements। The first time it came up when Cory asked his dad why Rose even wanted them to build a fence anyway. Bono, Troys best friend, responded by saying,"Some people build fences to keep people out and other people build fences to keep people in. Rose wants to hold on to you all. She loves you." (pg 61)

Bono said this to explain that Fences are not only built to keep bad people out, but also to keep the good people you love in। Troy talks about using the fence to keep bad things out later in the play when he says,"Alright Mr. Death. See now I'm gonna tell you what I'm gonna do. I'm gonna take and build me a fence around this yard. See? I'm gonna build me a fence around what belongs to me. And then I want you to stay on the other side. See? You stay over there until you're ready for me. Then you come on. Bring your army. Bring your sickle. Bring your wrestling clothes." (Pg 77)

Troy was obviously very enraged at this point, and he wanted to build the fence to keep "death" out of what he owned. This shows character of Troy in a whole new perspective, because he doesn't use baseball as a way to threaten death, but still uses the idea of the fence.

The play Fences really shows the talent of August Wilson because of all the deep meanings he put in. It is also obvious that a lot of time was taken into creating the characters, because they are all different in many ways, and their personalities are shown through what they say. August Wilson used the ideas of fences and baseball to really expand the story and make it more three dimensional, which made it much more interesting.

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A Thousand Acres Research Paper

The book A Thousand Acres, by Jane Smiley, is characterized by Ginny's growing conflict with her father, Larry. Their conflict comes from the characters needs for control. Ginny realizes that she has had no control over her life and Larry loses control of his life and tries to get it back.

In Larry's ambition to buy all of the land adjacent to his farm he also acquirers a yearning to have complete ownership over everything on the farm. This, of course, includes Ginny and Rose. Larry shows his ownership of Ginny not only by committing incest, but also by controlling her life. She never leaves the farm or goes to college, and she marries a man because he is a good farmer and gets along with Larry. Ginny does not discover that this is the life her father wants and not the life she wants for herself until she has lived this life for many years.

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Ginny may not have known consciously that this was not the life she wanted, but she certainly was not satisfied with it. She is not as excited about farm life as her father, Ty, or Pete. When it is her chance to own the farm and experiment with new ideas, like the hogs, she is more worried than excited. Ginny does not enjoy being a farm wife but she was raised knowing that she would one day have a life just like her mothers, always serving others and never herself. She lives to make her family happy and they rarely show appreciation. Larry sees Ginny's attentiveness as a threat to his independence. It takes the chaos of the farm switching hands and an affair with Jess, who has enough distance from the farm to see what is really happening, for her to realize how much she resents that being used by her family.

Ginny is not the only character whose offering is unappreciated. Larry's children cannot understand why he would give up the one thing he lives for, the farm. Larry owns one thousand acres, a large amount of farmland for one family. The work of his life has been to build an empire - complete, efficient, debt-free - and pass it on for his offspring to treasure and maintain. The farm could have continued to provide for his family for many generations. However, as soon as Larry passes the farm on to his daughters and sons-in-law they gamble it on new ideas and techniques with which Larry is not comfortable. What the younger generation sees as a way to take huge steps forward in the farming business, Larry sees as folly and waste.

When Larry gives his farm up to his children he needs to see that he still has control over his family. He tests this by taking long drives without telling anywhere where he is going and by buying furniture he does not need. What Larry finds is that he still has a large amount of control over his family's emotions. However, because of her father's age and drastic behavior, Ginny feels she must exert some authority and take his car keys. Larry sees this as the ultimate loss of control over his life. This is what pushes him off the deep end.

Both Ginny and Larry give the best gifts that they can present to their family, Larry his farm and Ginny her life, only to see their gifts being abused and taken for granted. Larry decides that his family is not fit to run the farm. Ginny realizes that she must start to take her life back. However, they are both gifts that are not easily taken back. As Ginny is just beginning to realize that Larry is not the man she thought he was, Rose uncovers her the rude awakening of their father raping them as children. This shows Ginny just how much her life has been for her father.

The lawsuit over the farm represents both Larry and Ginny trying to win back the control they had given up. It is where the two characters needs come into contrast. Larry cannot have his ideal future unless Ginny continues to play the part of the submissive housewife. Ginny recognizes that the life she has been living isn't enough for her any more. In the end Ginny proves she is stronger than her father. He dies on the edge of insanity while Ginny starts a new life where she has control.

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Christopher Pike Research Paper

The story begins in present day LA during the last few days of FBI agent David Conner's career. At age 39 Conner A 15-year veteran of the FBI is retiring for good after the murder of his girlfriend and the accidental death of the young girl David was sent to rescue on his last assignment. David believes that he indirectly caused both of their deaths and because of this he has lost his faith in Truth, Justice and the American way, unlike his good friend and boss Ned Calendar who at the age of 70 is also about to retire. Ned gives David one last assignment which he insists only he can handle, and after a short briefing and much deliberation, David is on a plane to Boise Idaho to investigate a Channeling group headed by Anthropologist Dr. Spear, a strange man with a mysterious past.

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Channeling is a new age term, which is basically going into hypnosis and allowing entities to speak through you. David is curious as to why the FBI would be concerned with such matters and Ned reluctantly informs him that the FBI had come across some memoirs that spear wrote in which he talks about an entity that the group channeled. This entity which calls itself the Big Mind described certain classified information within the government and when the FBI checked it out they found that the Big Mind's information was correct. They are concerned about how much the Big Mind knows so they want to sent an agent undercover as a reporter to investigate the group on their retreat. When David arrives in Boise the first members he meet are identical twins, Vera and Lucy. Lucy had discovered her talent a year ago when she was working as a massage therapist during her senior year in Stanford. She often used Applied Kinesiology or locking of the muscles to learn things about her clients, eventually she realized she didn't need to use AK to learn things about people, that the answers just popped into her head. She also discovered that when Vera was present she was much more accurate. After attending one of Spears lectures she told him about her talent and he immediately recruited her and Vera into his group. Dr. Spear himself does not participate in the channeling. The next person David meets is Margaret Farrow.

Margaret a paraplegic has no special talent and does not participate in the mutual hypnosis but has been with Spear since the beginning. There's Dr. henry Deering a nuerophysiologist who also has no special talents but he has been studying the group for the past year, next is Panda Gopal a young Indian man who had a dream about Spear and searched him out, Panda is the leader of the channeling group. There is Tom Forester who as a long distance truck driver and aspiring country singer used tape himself singing as he drove cross country only one time he went into a trance while driving and accidentally channeled a being. He heard himself speaking in a different language when he played the tape. The last member of the group is Jon Horst a Swedish Arnold Schwarzenegger wannabe who's ability to bend silver wear with his mind earned him a place in the channeling group. While talking with the group members David learns that Dr. Spear hasn't informed any of the group members about where he learned the technique of mutual hypnosis. Until 12 years ago Spear was a respected anthropologist. However he soon developed a fascination with the Dogon people of Mali descendants of the Egyptians. Spear, his wife, her sister, and a colleague went to Mali to study the ancient tribe. It was the Dogon's knowledge of astronomy that caught Spear's attention-apparently the Dogon knew things about The Sirius Star system to be specific that modern astronomers are only now discovering. The only thing that David and the FBI know about Spear's trip is that Mrs. Spear never returned home and her sister returned insane and now resides in a sanitarium. The remaining members of the group said that an animal killed Mrs. Spear. David does not tell the other group members about this. He soon earns the trust of the group with the exception of Spear and the affection of Lucy. While David continues his investigations Ned visits Carl Buckley- the colleague of Spear's that was with him in Africa. He doesn't get much out of Buckley but he does warn Ned to stay away from Frances Cumberly- Mrs. Spear's sister. Ned goes to see Frances, which is for lack of a good explanation an interesting experience. Ned normally a conservative thinker is now convinced that Francis Cumberly is a supernatural being. He returns to Buckley and confesses his thoughts about Frances, he convinces Buckley to tell him the truth about Africa. What really happened was Spear tricked a Dogon priestess to teach him the secrets of mutual hypnosis, he used his wife and her twin sister and experimented with a forbidden form of hypnosis. Something went wrong, penny was knocked unconscious but kept alive, and Frances was possessed by some entity. Spear apparently killed his own wife to break the strength of Frances. Ned instantly makes the connection of identical twins and calls David to warn him of the possible danger. David who has fallen in love with Lucy tells her that he needs to get her away from Spear. He does not tell her about Africa but in order to convince her to leave he does tell her a little about the identical twin hypnosis. While he is preparing to leave Lucy sneaks away with Vera to experiment with this new form of hypnosis. As in Africa one is knocked unconscious and the other is possessed. Ned has been trying to contact David but with no response. In fear for his friend he boards a plane to Boise. Vera kills Jon. The group finds Lucy with a brain hemorrhage and they all move into the church because there is no way off of the mountain and no one around for hundreds of miles. Vera enters the church with Ned. Spear tries to kill Lucy but Vera kills him. Vera locks the remaining group members in the basement except for Ned. David kills Lucy and Vera comes down to the basement to stop him but is too late and she dies. David discovers that Margaret is actually the Big Mind and she asks him what he wants. David says he wants Lucy and Margaret brings the sister who was possessed back to life we then find out that it was Lucy and not Vera who was possessed.

Protagonist vs. Antagonist:
The Protagonist in this story is obviously FBI agent David Conner. A poor broken man who in the end regains his faith in life. The Antagonist in this story is more difficult to Identify. It could be Dr. Spear who lost his wife and sister in-law because of his reckless curiosity and was about to do the same with Lucy and Vera. Although he has bad qualities Spear did make sacrifices and did have redeeming qualities. The next antagonist would be the entities that possessed Lucy and Francis, it was actually an ancient race that millions of years ago was extinct, and Dr. Spears Genetic regression which is having a person regress through their genetic chain all the way back past humans and dinosaurs. The race can only re-enter the world through a genetic mirror or identical twins. I would say that the Antagonist is these entities.

Theme:
The theme or general idea is that people can either move forward in time or backward. Spear concentrated on the past Margaret on the future, the author was trying to say not to dwell on the past as David Conner was-his girlfriend Sandy Quin and Angela Wilson were dead and in the past and Lucy was his future. The Big Mind had told David when they first talked that a wave was coming to take him to shore to bring him back, in the end that wave ended up being Lucy.

Personal Insights:
I was actually very surprised by Pike's book. Usually I wouldn't recommend his work to anyone who wasn't well versed in eastern mythology, which has become a repetitious wall for Pike. This book which is deeply rooted in Egyptian, African, and to a lesser extent eastern mythology is well written, unique, and a refreshing change. This book like most of Christopher Pike's Novels seems to have an outrageous plot but it so well written I just don't care. One thing that really surprised me about this book was how accurate the information was. After reading it I researched some of the information and found it almost scary that the facts included in the book were true. The mixture of fact and fiction is very interesting and deeply effective and if you have an open mind the theme of the story sends a powerful message.

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Research Paper on Jean Valjean

The book Les Miserables star character, Jean Valjean, is very unique, ideal person. The way he views his surroundings and the way he goes about living is very indescribably different than any of the characters in this book. The world he lives in is a very strict and harsh one, but he still finds a way to survive it all very sufficiently. He gives himself rules and ways to abide with, he falls in and out of loving life, and he is very strong and has the will to fight for what he feels is right. Jean Valjean lives his own life, the one he wants to lead and live and he lets nothing get in the way of that. Even though this character seems unrealistic in a lot of ways, he is realistic to me. Anything can be possible in life.

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People come and go in Jean Valjeans life forming him more and more into this great person. The first time this happened was when he was let out of prison on the street after nineteen years. Jean Valjean went from place to place trying to find a place to stay and eat. He was turned away of every place he went to. After this he became hardened; there was nothing left good in the world, it was the world against him. He then found himself at a bishop's home. Where he stayed, then he stole the bishops silver, left and then got caught. When the police brought him back to the bishop, the bishop tells them that he gave Jean Valjean the silver. The bishop then tells Jean Valjean this, "Jean Valjean, my brother: you belong no longer to evil, but to good. It is your soul that I am buying for you" (39). With this, he left and promised to become an honest man with the silver the bishop gave him. This helped open his eyes and become less of a hardened person.

There are not very many people in this world that are like Jean Valjean. He stands out on his own, he is strong. The things that he has been through have shaped who he is. When people go through hard times it opens their eyes and makes them more aware of what life is and what u have to go through to become the person you want to be in life. The author Victor Hugo depicts this very well in this book with Jean Valjean. When he is out of the prison, he is still hated upon and torn after. Just because he stole food for his family, that he didn't have enough money for, so they wouldn't starve. He is looked at as a convict and someone who is evil. Jean Valjean didn't deserve this label one bit at all. He was doing a good deed and he didn't deserve what he got. To go through a day-to-day basis of being hated or being under a disguise that you did not deserve would be hard. Jean Valjean is a strong person for still living his life the best he can. There should be more people like him.

A person like Jean Valjean is very unpredictable. He could hate the world one day and hate everyone in it; but the next he could love life and want to be with Cosette forever. I guess that's just life, going through hard times and then finding a joy to life. He has been very strong through all the ruff times and kept going on no madder what happened to him. I find this quality very hard to find in a lot of my friends and family. I can be at times their backbone; someone to go to when they need help, advise, or insight. I try to be there for everyone I can. There should be more people in this world that can hold their own like Jean Valjean.

Jean Valjean has gone in and out of some ruff times. He is a realistic character in a sense that life can be limitless to thoughs who run after it. Most people float through life, feeling sorry for themselves and trying to be like everyone else, not living the way their heart tells them to. There are a few people that are alike Jean Valjean in this world. It is excruciatingly rare to find thoughs people who will not let anything get in the way of living, because it is so hard in its self to be like that. You would have to be a very tuff person. Jean Valjean is a very tuff person. Everything that he has gone through and everything that has been blocking him to live a happy life, he has concurred. He shows that anything is possible in life if you try hard enough.

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Research Paper on David Sedaris

Once, you could've called him to clean your house and sometimes, you still can. First discovered by Ira Glass of NPR, David Sedaris has become a sort of "minor phenomenon" (Marchese). Renowned for his humor and identified by his style, he has had his works featured on "Morning Edition" of NPR, written for numerous publications, and multiple offers as a television writer. Despite these achievements, his greatest work lies within his books. These collections of his essays, uncut and uncensored, reveal David Sedaris as much more than a diligent housemaid.

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Sedaris possesses blatant, shameless honesty. He doesn't water-down his pieces in order to appease an audience nor to achieve political correctness. He says what he wants, as long as there exists good reason to include it. Oftentimes, this tactic manifests itself in his choice of vocabulary, his generous use of lively words. For example, in reference to his unique work experience as Santa's helper, he describes the costumed worker of another marketing ploy as a "son of a bitch," while his own position made him "look stupid" (Sedaris, SantaLand). The Jenny Jones makeovers "are shows in which gruesome teenagers are forced into a variety of dull, conservative outfits. Following their transformations, the girls appear looking like disgruntled housecats" (Sedaris, Confessions). This does not limit itself to the usage inappropriate language. Sometimes, his dialogues exemplifies this characteristic of his writing:

"Here I am with a 130 IQ, and they've got me sweeping up sawdust. A 130! I'm serious, man. I've been tested.In case you didn't know, that's genius level."
"Congratulations."
"With a mind like mine, I could be doing something, you know what I mean?"
"Absolutely."
"A 60 could do what I'm doing. That leaves me with 70 extra IQ points sitting around in my head doing nothing."
"They must be bored" (Sedaris, A Smart Guy).

His dialogue is lively, simply by the realistic quality in his words. One can easily imagine such a dialogue between two everyday people, and Sedaris, as usual, speaks nothing less than honesty. He never strays from the usage of this type of realistic dialogue.

His shameless honestly is also easily recognized in situational contexts. As he fought his learned addiction to television, Sedaris creates humor in his suffering by raising it to the level of severity as alcoholism. "[His] withdrawal was not easy," and "there were days when [he] would have done anything just to watch a single Huggies commercial, yet [he] held fast and sweated it out" (Confessions). As Sedaris recounted his IQ testing, "a series of recent events" reassured him that his performance would outdo the performance of his base comparison. Yes, he was wrong, but that situation alone elicits no emotion as it was simply predictable. The degree in the fallacy of his assurance produced the humor. Or, as Sedaris describes the situational setting of his elfish workplace:

It's beautiful, a real wonderland with 10,000 sparkling lights, false snow, train sets, bridges, decorated trees, mechanical penguins and bears, and really tall candy canes. One enters and travels through a maze, a path which takes you from one festive environment to another. The path ends at the Magic Tree. Once you pass the Magic Tree, the light dims and an elf guides you to Santa's house. The houses are cozy and intimate, laden with toys. You exit Santa's house and are met with a line of cash registers (SantaLand).

A magical paradise tarnished by a price tag, this kind of sudden burst of honest reality is often incorporated at precise instances to snap the reader back into the realization that your mind is directed by David Sedaris.

As a writer of experience, Sedaris composes all his works to encircle the recurrent topic of "I." "Life was good for the first forty-one years. Then I took an IQ test" (A Smart Guy). "Years ago, while living in Chicago, I took a job stripping woodwork with a fellow named Harry" (Confessions). "I was in a coffee shop looking through the want ads when I read" (SantaLand). This theme is not placed sparsely throughout, but instead is spread thickly throughout his works. As Sedaris composes his essays, he utilizes a highly effective and well-implemented structure. Ironically, this is the lack of structure. For instance, he begins "Confessions of a Daytime Television Addict" with a short description of the procession of events that led to his addiction and the pleasure which he describes as "intoxicating" (Confessions). Next, an equally short description of the uneasy withdrawal process is provided. The rest of the essay is about the Jerry Springer Show. He shows his emerging curiosity testing his resolve. He continues to proceed to illustrate the "epic" cursing, the "compelling" themes, and the "tribal" audience. Finally, he concludes the work with his experience with Judge Judy. Sedaris only succumbs to the structure imposed by the necessity of chronology.

David Sedaris writes to entertain. He doesn't write to inform; he doesn't write to express an opinion; he doesn't even write to share his personal anecdotes. All of these are merely to encase the humor into a coherent and liquid entity. Why exactly is David Sedaris so amusing? Because, he's fearless. He has a fearless attitude in his opinions and towards the truth. He says what he thinks and nothing less. David Sedaris is one of the most observant and pithy writers in the world today. His essays move from squeamishness over the emotional violence in each scene to laugh-out-loud hysterics in the absurdity of any given situation. This ability, the ability to sense the hint of humor however so slight in any situation, gives him the power to entertain. His humor is not aimed at a specific crowd, just the general crowd. And I, as an exemplary member of the general crowd, will testify to this genuinely laugh-out-loud quality of his creations.

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Term Paper on Generation X and Y

Research Paper on Generation X and Y

A people grow older, and their kids grow up, with them becomes new ideas, hopes, dreams, motives, norms, and many other things that are recognized by adults as a change in society. It seams that the adults forget that back when they were my age, most of them were doing drugs, talking about freedoms, and listening to bands like The Doors, CCR, and Jimi Hendrix. They also tend to forget that they set, or at least set in motion, some of the norms and standards that my generation is bringing back. Long hair, Chuck Taylors, and the 60's and 70's music are almost just as big of part of my generation as it was to theirs. But when looking at generations, you have to dig deeper into the people and not so deep in their closets. I mean, look within them, not at them. Lets take a look at the people born in the 60's and 70's compared to the people born in the 80's and 90's, or better yet, Generation X, and Generation Y.

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The term Generation X was created by an under 30 year old writer by the name of Douglas Coupland. (Christian, 1139) He titled one of the chapters in his book, "Generation X", but wanted the press, public, and anyone else who read the book to know that "...he is not a target...". Now, one of the biggest, or what seems to be one of the biggest differences between Generation X and Generation Y is the work place. Bruce Tulgan, author of Managing Generation X; How to Bring Out the Best in young Talent, says that "Generation Y is Generation X on fast forward, with self-esteem." (Lovern, 28)

Most people think that Generation X are slackers, and are not very motivated.
Since they began arriving in healthcare facilities and other industries in the early 1990's, Gen X have turned the workplace upside down. Their urgency and an inherent sense of alienation having grown up in the midst of a stumbling economy and mounting divorce rate  to a clash with the corporate status quo. (Lovern, 28)

Despite early predictions that they would be lazy and uninspired, just the opposite has proved true. Gen X wanted it all, and they wanted it right away. They possess a new set of skills that fits the needs of the new economy-techno-literate, quick to move to results with minimal instruction, able to think with a fresh creativity-but with a perceived aloofness that tends to rub the older crowd in the wrong way. (Lovern, 28)

Also Generation X are understanding that even though most of their parents were with the same business for 40 years or so, that they have other opportunities, choices, and other chances, and that it is ok to venture out and "Аchange the norm."

Generation X have little expectation of spending their entire careers with one organization or even in one industry. "It is not because I don't have loyalty to the company," says Ellis Hawkins, 30, manager of radiation oncology at SSM's DePaul Health Center in St. Louis. "It is because things change so rapidly, opportunities come up so rapidly, if you pass on those opportunities you do both yourself and you employer a disservice." (Lovern, 30)

There is no doubt that the generations have changed. One thing is for sure, no matter how old someone gets, or how long they live, there will always be generations. Some of the traits of Generation X and Y a person would want there children to have. The fact of the matter is that they need to be around them. Generation X and Y is doing very well in the business side of life, and will continue. The only that that is left now, is wondering what the next generation will be like.

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Research Paper on Carousel

There are two different sections in the poem, both depicting the different stages in the author's life and the ups and downs of her life. Like a carousel which goes up and down, the author is facing many different stages in her life which brings about many different emotions. In the first stanza, the author is seen to be enjoying herself while on the carousel with her father. The author is seen to be given a sense of security while her father is with her on the carousel. The fragile music in stark contrast to the warmth showered upon her by her parent is clearly seen. Music which supposed to stir emotions and make one feel lighthearted and carefree, but in the poem it is seen as fragile.

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This emphasizes on the serenity brought about by her father's presence while she was on the carousel. This paints a pretty picture of which both father and daughter are both bonding and are enjoying many golden moments. Contrast is also seen when the author uses the words "sweep" and "fall". In the poem, it is said that she feels her father's arms around her in a heavy sweep of closeness, taking me up on notes which fall. Again, this is a clear example of the ups and downs of one's life, just as how the carousel would symbolize. In this circumstance, it shows her father guiding her through life's difficulties as in the fragile notes which fall. The fragile notes may symbolize the difficult times in the author's life, however, her father would be there to be the light at the end of her tunnel. The roundness of the eggs described in line 5 of the poem symbolizes the circle of life. In comparison to the carousel which is also circular in shape. The circular shapes also go hand in hand with the circular motion of the carousel. Giving deeper emphasis on the fact that the carousel represents our life. To sum up, we can see that the author relishes the different moments of life with her father, when he was still around.

The second portion of the poem states the second half of the author's life. In the poem, the author states that her father has fallen off the garish horse. The horse in the poem refers to the author's standing in life. With her father falling off the horse, it symbolizes that her father is no longer part of her life anymore. It has been 25 years as stated in the poem, since her father has left, and not many memories linger in her mind. She does not remember the love showered upon her while her father was still with her and only remembered the last few moments here father was with her, which was him seen in pyjamas, waving to her from the ward. The ward is the final resting place for her father. Now the author has to fend for herself in the harshness of her world. Her hands have turned brown and thin from trying to control her life but she is slipping for her father is no longer around to protect her from falling. In the later part of the second stanza, the poem shows that her brother had almost choked on a Lifesaver until a male nurse had come and save him. On the other hand, her father had passed away. From the incident we can deduce that the author is trying to say that the old has to make way for the young, as when the older generation leaves, the young has to come and take its place.

Moving on to the third stanza, we can see that the affection for her father has died down and her mother is unable to give the same amount of affection her father had given her when she was young. The fire represents her father's passion, but unfortunately, her mother is unable to rekindle the flame in the author. The author craves nothing more than the love of her father. This shows that the author misses her father and wishes for the times of old to return.

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Term Paper on Plato

Plato Research Paper

"Well, they're hard put to it for words to describe what they do with laughable results, sometimes. All this squaring, extending and adding. They're full of utterances of that kind. Everything they say is in terms of doing things, and practical applications, whereas the truth, I take it, is that this is a subject which is pursued entirely for knowledge's sake." (Plato, 527b)

Socrates belief that geometry is a genre that is only studied for the sake of knowledge is one that most certainly does not apply to the world today, and not to the world of Ancient Greece either. Socrates, as described in Plato's Allegory of the Cave finds that mathematics is a very philosophical pursuit because it's aim is truth and knowledge, not practical applications. It is a flawed view. Mathematics, and especially geometry, are key elements of many aspects of the world. Geometry is studied largely for its practical applications for the simple reason that the human race is inherently pragmatic. Most people are unconcerned with knowledge for knowledge's sake. They are looking to get something more out of it.

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Whether it be studying history to know and avoid the mistakes of the past, studying a foreign language to better be able to communicate cross-culturally, or studying geometry to design buildings that won't topple, every genre of study must have a practical application in order for it to be justified by the majority of the population. Geometry finds an obvious practical application in the fields of engineering, surveying, navigation, architecture, aviation, even in car racing. Engineering uses geometry to design things efficiently, even a tool so basic as the wheel is based in geometry. Surveying uses it to accurately measure distances and areas that cannot be measured conventionally. Navigation is one of the studies that was also important in the world of Ancient Greece. Sailors in that time period would have been absolutely unable to accurately reach their destinations without some geometrical knowledge. Knowing how to aim their ship with precision over long sea voyages required geometrical knowledge and astronomical knowledge to plot their course based on the stars. And more geometry was needed to get their ship to sail in that direction no matter the direction of the wind. Architecture uses geometry to design buildings that are structurally sound, and to maximize interior space while keeping the building interesting to look at. Aviation uses geometry in designing aircraft, navigating them, and maneuvering them safely. Even auto racing uses it to plot the fastest course around the track. In short, geometry plays such a basic role in our everyday life that the amount and variance of ways it can be used are nearly endless.

Geometry, to be sure, can be studied solely for knowledge. Philosophically the subject may be an excellent one to examine without consideration of its practical applications. It is a subject of interest to Socrates because, "it is indeed something that draws the soul towards truth." (Plato, 527b) Geometry and indeed mathematics in general are a perfect field for the study of truth because they are not at all subjective. The three angles in a triangle are, always have, and always will add up to 180 degrees. While Socrates contends that this is geometry's main purpose, the majority of the world contends that its use is far more applicable to more practical pursuits.

Simply because philosophers may be interested in the field for a tool to better understand "the truth" doesn't necessarily mean that geometry can't be used in other ways nor that those ways aren't its primary application. Geometry, in contrary to Socrates ideals, is primarily a pragmatic study. While in the world of philosophy geometry may be only "pursued for knowledge's sake" that is a very untrue view based upon the interests of the rest of the world.

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Research Paper on Celtic Culture

When most people think of the Celtic culture, they see images of the druids performing magic, old castles, and gorgeous, lush green, rolling hills. Well, these things are a part of the Celtic culture, but there is so much more depth to the Celts, most of which is unknown, but in this paper what is known, will be uncovered.

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The Celts were a dramatic and romantic society. The reason that so little is known about them is because they were a non-literate culture. The only things that were recorded about them were by classical authors. These authors recorded things about them by hearing of their legends, myths, traditions, etc. Since they were non-literate, only oral tradition preserved their history and culture. The Celts had a love for beautiful things. So they honored beauty of people, nature, and the arts. They considered vanity normal and admirable, which represented a proper sense of self-worth. This belief is much different than what we believe today, but this doesn't mean that the Celts were a vain and greedy society. They strongly praised generosity and selflessness. To give open-handedly was the mark of a true hero or heroine. The Celts impressed the Greeks and Romans with their bold dress and powerful appearance. Generally characterized by classical authors as a people with fair hair, of red or gold, and fair complexions, (although the people of the British Isles were described as small and dark-haired) most Celtic women apparently stood taller than the average Roman citizen. Celtic women, upon reaching maturity, adopted a complex braided style for their hair, and wore dyed and embroidered dresses. Plaids, or wrapped woven cloaks, were common for men and women alike, and gold and silver torques and arm rills, as well as rings, adorned wealthy Celts. Brooches that held closed the openings of dresses and plaids were another common feature of Celtic dress. Gaelic men commonly spiked their hair and bleached it to an almost white color with chalky water, and wore their beards long, while the Bretons and Picts tattooed their arms and faces with blue. Many Danish and English bogs have shown archeological evidence of cloth and dress, and Roman historians such as Tacitus also document some of the customs of everyday Celtic life. These things show that the Celts were a society that was very sophisticated.

The Celts occupied land in modern day Eastern Europe, Greece, Spain, Northern Italy, Western Europe, England, Wales, Scotland and Ireland. They occupied these lands mostly from 400 to 200 B.C. Since this was such a large area of land, they spoke different languages. North of the Alps and Pyrenees was the area known as Celtica. In this area they spoke Gaulish. In Spain, Celtiberian was spoken. British and Pictish was spoken in Britain. In Ireland, Western Scotland, and the Isle of Man they spoke Gaelic.

The Celtic people lived very healthy lives, considering the time period that they lived in. In the time that the Celts were living, they had a long lifespan. Most Celts lived to be about 40 years old. This was considered a long lifetime back then. One probable reason of this was that the Celts learned to extract salt from the earth in about 1000 B.C. This enabled them to preserve meat and fish, which kept them healthy all year round. Along coastal areas the Celts were sailors, fishermen, and traders. Inland, they were farmers and miners.

Celtic people were usually polytheistic and they believed in many gods and goddesses. They practiced a religion that is similar to modern day Wicca. Their religion honored a mother goddess and a father god. They believed that the mother goddess and father god created the other gods and goddesses and also created the Celtic people. A basic tenet in the Celtic religion was, an harm none, do what ye will. This means to not harm anything, but do what you want to. The Celts religion was based upon magic and worshiping the earth. In the Celtic religion, women were of equal or greater importance than men.

By now, if you read closely, you know that the Celts were a very interesting culture. I think that when you will imagine the Celts, you see a more detailed representation of the Celtic culture. So now, the old castles, lush green, rolling hills, and druids performing magic, seem more detailed and intricate than they were before. So now when you think of the Celts, what do you think of?

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Personal Strengths and Weaknesses Term Paper

Individual strengths and weaknesses can ultimately change a person's destiny. They can cause a person to perform in unique ways. My personal strengths are determination and pride, and my weakness is eagerness. Each of these traits influences my life on a daily basis. Every person has strengths and weaknesses, how they choose to use them is what truly matters.

First, determination is what drives a person to succeed in life. Without determination there is no driving force to push a person to accomplish their goals. In life, I must be determined to get the job done. As I work towards my goals I strive to do my best. If I fail to accomplish a goal, I will start over again. In order to succeed, I must apply hard work and dedication to everything I do. I will always be a determined individual.

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Secondly, pride makes people believe in themselves. It pushes them to reach for the stars and far beyond. Pride increases motivation and confidence, thus creating a sense of godliness. I find pride to be my greatest strength; it makes me believe I can accomplish anything. I look past all limitations and boundaries, and turn them into mere obstacles. Pride provides me with a sense of comfort that allows me to be confident in every aspect. I will always be a proud individual.

Finally, my weakness is eagerness. Eagerness causes a person to make rash decisions, which in turn causes regret. Eagerness causes me to make spontaneous decisions and act in unforeseen ways. I act upon what I believe, rather than acting on what I know.

I rush into situations without researching my decisions, and as a result I regret my choice. In time I will change this weakness.

In conclusion, my strengths are determination and pride, and my weakness is eagerness. I must be determined and proud of what I do. I must work with my heart and soul to reach for the stars. With time I will conquer many obstacles, and overcome my eagerness. I will always be a proud and determined individual. I know I will be great, because in my heart I know I will succeed.

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Research Paper on Michael Tippett

Michael Tippett was born in a London Nursing home on the 2nd of January 1905; but in the same year his parents moved from Eastcote to the small Suffolk village of Wethrden, not far from Stowmarket, and it was there that he spent the formative years of his boyhood.

In 1922 when he was seventeen, Tippett went with a school party to his first symphony concert. It was at the De Montfort Hall in Leicester, and the conductor was an old Stamfordian, Malcom Sargent. The program included Ravel's Mother Goose Suite, then still quite new. This concert made an overwhelming impression. It was at that point that Tippett decided that he was going to be a composer. He then ventured to teach himself until he convinced his parents to let him go to the Royal College of Music. There he studied composition, first under Charles Wood, who made a remarkable impact on him by introducing him to Bethoven. His years at College were a great period of learning; but he benifited less from the formal instruction he got from his teachers than from suddenly being exposed to so much that was new to him.

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Tppett was very taken with Beethoven and threw himself into studying all his works. Tippett himself commented:

"When I was a student I submitted entirely to the music of Beethoven.
I explored his music so exhausively that for a long time later
On I listened to every other music but his."

Beethoven represented for him an ideal in his attitude to life, and as a composer. All the dominant attributes of Beethoven's music, its dynamic energy, its all-embracing humanism, its passionate spiritual questing, are those of Tippett's also.

These years at College where not only crucial in developing his musical styles but they were years where Tippett developed his love of Liturature and Philosophy.

After graduating, Tippett undertook many various positions including school teaching which he quickly disguarded. However nothing really grabed him. All he wanted to do was compose, but even in this he wasn't liking anything that he was writing. So he approached R.O. Morris, a composer and specialist in Sixteenth century counterpoint who agreed to take him on as a private pupil; and he embarked for the next eighteen months on a comprehensive and rigouros study of fugue. It was after his period of study with Morris that he found his direction as a composer.

In September 1939 Tippett began work on the music of A Child of our Time, modeled on Handel's Messiah. This ended up taking years to write because of the outbreak of the Second World War.

After the war and all the dramas that came with that including doing some time in prision, Tippett settled down to write his first opera. It was inevitable that Tippett should come to compose an opera. Modern Music describes opera as "a means by which, when all elements are working together, can move us with an almost magic power." This medium was perfect for a composer who was concerned to bring us through his art to a deeper understanding of ourselves. Tippett had gained much practical experience with his ballad operas Robin Hood and The Village Opera that he arranged in collaboration with Christopher Fry in the late thirties.

The influences behind The Midsummer Marriage are numerus, both in a Musical and a Philosophical sense. As we previously noticed, the shaping influence of A Child of Our Time was Handel's Messiah and also The Bach Passions. In Tippett's opera The Midsummer Marriage, the influences firstly from a liturary point of view, was primarily from Shakespear's A Midsummer Night's Dream. The basic dramatic idea of A Midsummer Night's Dream, the interaction between the natural and supernatural worlds and the resolution by supernatural means of the complications attending the two pairs of lovers, is also that of The Midsummer Marriage.

Musically Tippett was influenced by the Neo-classic move. Tippett embraced and gained an understanding of Neo Classism from English music of the past, the Elizabethan Madrigalist and Purcell above all. He never participated in the anti-romantic reaction, and his works exhibit both a positive engagement with tradition and a willingness to deal with social and philosophical issues. This comes out very strongly in The Midsummer Marriage . Tippett has an instinctive understanding of the English music of the sixteenth and Seventeenth centuries that has ripened with experience to a profound sympathy.

His rhythm is perhaps coloured a little by the influence of Stravinsky and Bartok, but owes far more to his study of the cross rhythms of the Madrigalists, the dance and the word setting of Purcell. As with all true rhythm it is highly expressive because it always serves a deeply felt melodic line of which it is the organising vehicle. His harmonic sense is probably his weakest asset, yet the driving power of his rhythm gives to his music a strong feeling of line. These musical applications will become more apparent when we look more closely and listen to the opera.

Tippet once said:
"Music deals with the imaginative processes of the inner world: feelings, qualities, dreams". (Tippet. Music of the Angels:pge 28)

It was this belief that led him to base his first opera on the philosophical stance of Carl Jung. The influence of Jung is traceable in Tippett's general attitude towards all of his works. But nowhere is the resemblance of Tippett's thought to Jung more striking than in The Midsummer Marriage. Jung's fundamental principal in the study of psychology is that:

"Consciousness and the unconcious are related to each other in a reciprocity where each consious element has its unconcious conterpart of an opposite yet compensatory character. Their constant interplay engenders the kaleidoscopic dynamics which in the course of any individual existance create the individual biography."
(Jung. "Psyche and Symbol". Page 23)

Jung's purpose in exploring the relationship between mans consciousness and the unconscious is to discover wholeness. He studied the dreams men have while asleep, and the fantasies they create while awake. Two paths stem from observation of these activities. These lead to elements of man that Jung has labelled archetypes. Being representations of instincts, the archetypes enable man to recognise the nature of an instinctive attitude. For example, the hero figure is an archetype that represents the instinct to save what has been threatened or restore what has been dystroyed. The hero archetype helps man understand his instinctive drives to be a savior to himself or others, that is, to find wholeness.

Tippett said of archetypes:
"One can persieve the specific energy of archetypes when we experience the peculiar fascination that accompanies them. They seem to hold a special spell."
(Ibid: pge 21).

It was precisely to capture the "special spell" of the archetype that Tippett used an extremely lyric style of music in The Midsummer Marriage. He was covinced that by means of the opera's music, the audience would be enabled to "Suspend the critical and analytical judgement, to experience the power of the archetype."
(Tippett. "The birth of an opera": Pge 56).

Tippett used the archetypes of the Anima, the unconcious element of the feminine in the man; and the Animus, the unconcious element of the masculine in the female. Both sexes must come to fully understand this archetype before they can become whole.

In The Midsummer Marriage the two lead characters, Mark and Jennifer, go on a spiritual journey to come to fully understand their anima and animus so that they can find wholeness and eventually come to be in a state in which they are allowed to be married. It is a quest opera in the sense that it depicts man's search for wholeness.

Throughout the entire opera Tippett has used musical applications to reveal the inner workings of these two characters. The music does not represent the action on the stage so much as it represents what is going on inside the character at that stage of the journey. Tippett wants his audience to learn about themselves, and how they function, and this is how he goes about achieving this.

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Father Luis G. Verplancken Term Paper

If you heard the name Father Verplancken you may not know who he is, but the Tarahumara Indians know him as the person who has turned their lives around and saved many from death. Father Verplancken is an entrepreneur who decided to help the Indians rather than give them his charity and leave. He first discovered the Indians when he was in the seminary, but ended up staying for over 40 years. Through his time with the Tarahumara Indians he has become fluent in the Uto-Aztecan language and has taken moving photographs of the Indians that have been published in such renowned magazines as National Geographic.

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What Father Verplancken has done for the Indians is build a modern full-service hospital that offers free health and dental care. It is the only hospital in its region and holds 75 beds. Last year 4, 381 patients checked in at Clinic of St. Theresa, donations and the staff paid for all costs. A boarding school was also built, with 90 children currently attending on weekdays and returning home to their families on the weekend. Father Verplancken is far from done and still presenting ideas to help the Tarahumara Indians, one of these projects is to provide safe drinking water.

The site www.giveaminute.org was launched in order to inform the public of the inhumane conditions the Tarahumara people endure, and for another brilliant idea. A banner was put onto the site that allows us to help the Indians just by clicking on it! You may click on the banner once a day and in return one free minute of hospital care is given to a patient. In 2001 there was 88, 469 visitors that gave the Tarahumara Indians 12, 637.4 free hours!

Before Father Verplancken came to El Paso, Texas the Indians were living in small huts full of unsafe drinking water and parasites. The majority of the children were dying before the age of 5. After this dynamic entrepreneur came operating health clinics have been constructed as well as boarding schools, food and milk have been distributed, water wells are being drilled and he is diligently attempting to preserve the art and heritage of the Uto-Aztec people. Father Tarahumara and his 39 staff members including a priest, 8 nursing nuns, six doctors, twenty nurse-students and four teachers, are not losing momentum. The Indians are offered jobs as secretaries, gift store sales, and maintenance crew. American volunteers come to work on short-term projects for the Indians. This was all made possible through the vision of Father Tarahumara who has dedicated his life to the Tarahumara Indians.

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Research Paper on Edith Wharton

Edith Wharton was born in New York City in 1862. She was the youngest child and only daughter of a socially prominent family. She was educated privately, in which case she spent most of her childhood traveling with her family in Europe, mostly in Italy and France. In 1885 at the age of twenty-three she did what she was expected to do and she married Edward "Teddy" Wharton, an affable Boston banker. The Whartons began their married life in New York and were soon part of the New York social scene, dividing their time between New York, Newport, and Bar Harbor. Later they built a home in Lenox, Massachusetts. But for Edith Wharton the year's high point was the couple's annual trip to Europe.

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Wharton was twenty-nine before she sold her first short story. Her first novel, The valley of Decision, set in eighteenth-century Italy, was published in 1902, when she was forty. It was in The House of Mirth, (1905), however, that she found her true subject: the tightly structured world of New York society into which she was born and which she observed with clarity and sympathetic irony. The Age of Innocence (1920), for which she won the Pulitzer Prize, is an in-bred world she both mocked and celebrated.

An ambitious writer, in addition to her novels Wharton wrote masterful short fiction, ghost stories, and New England winter's tale, the grim novella Ethan Frome (1911). She was also knowledgeable writer on such subjects as gardens, landscaping, furnishings, and travel. Divorced from Teddy Wharton in 1913, she spent almost no time in the United States, preferring Paris and her wide circle of friends, among them Henry James, who was a literary influence as well as a traveling companion, and Bernard Berenson. Wharton's surroundings where important to her and her personal wealth made possible the ordered and stylish life she craved.

During WWI, Wharton remained in France and worked with refugees and the wounded, for which the French government warded her the Legion of Honor in 1916. She died at Saint-Bricesouis-Foret, France, in 1937.

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Eva Peron Term Paper

Eva Peron Research Paper

"Don't cry for me Argentina," is probably the first thing that comes to one's mind when they hear the name Eva Peron who may be more commonly referred to as "Evita." The movie's account of a modern-day saint was superficial, forceful, and inspiring. She was motivated by an aspiration to help the poor. "The real Eva Peron began as something of a sex symbol," according to a published biography by Alicia Dujovne Ortiz, "but quickly left that phase behind." Probably soon after her marriage to the powerful army officer Juan Peron. She tried to make the situation better for the lots of poor people in Argentina, and they will never forget her. She was the one who kept their spirit alive.

To understand Evita's great accomplishments one must comprehend the circumstances of her childhood. Eva was born Maria Eva Ibarguren on May 7,1919 in the meager town of Los Toldos. Her father was a ranch manager named Juan Duarte and her mother, Juana Ibarguren, was his mistress. She was youngest of their five illegitimate children. On January 8, 1920, the Juana and the children received the news that Duarte had been killed in a car accident. The family had lost their only means of support. They decided to attend the funeral. Juana wanted her children to see their father for one last time. When they got there they weren't allowed to enter the Duarte estate.

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Life was rough for the family so their mother got them all jobs working as cooks in homes of the rich. In Eva's autobiography, La Razon de mi Vida (The Reason for my Life), she frequently thought about her social status. "I remember I was very sad for many days when I discovered that in the world there were poor people and rich people; and the strange thing is that the existence of the poor did not cause me as much pain as the knowledge that at the same time there were people who were rich. "From each year I kept the memory of some injustice that roused me to rebellion."

When she was still a child she always knew she wanted to break out and get something better out of her life. She wanted to become an actress. At the age of 15, Eva seduced the singer Augustin Magaldi to take her with him on his journey to Buenos Aires, where she soon found work on stage and as a photo model. Before long, Eva got her first film contract and starred in some minor roles in such films as "Segundos afuera!, La Carga de los valiente, and El Mes infeliz del pueblo". Eventually she realized that she didn't have a very big talent on stage and on screen, but that she had a voice talent, and started working with great success in radio shows especially "My Kingdom of Love," where she acted out stories of famous women throughout history.

Eva was asked to appear at a national radio show that was a benefit charity for the victims of the January 15, 1944 earthquake in San Juan. Backstage, with the actors, singers, and radio stars was the Argentine military that included Colonel Juan Domingo Peron. He was the leader who controlled the military government. She was introduced to him and never left his side. In Eva's book she was quoted to say: "I put myself at his side. Perhaps this drew his attention to me and when he had time to listen to me I spoke up as best I could: If you say, the cause of the people is your own cause however great the sacrifice I will never leave your side until I die." She was 24, exactly half the age of Peron.

President Pedro P. Ramirez appointed him Minister of Labor and Welfare. She convinced him that his real power base should be the group of laborers living in the slums around the capital city. A flow of statements from the ministry set up minimum wages, better living conditions, salary increases and protection from employers. The working class began to see some of the profits of its labor. Peron became the Minister of War and Vice President of the Republic. The political confusion at the end of World War II led to his arrest and imprisonment. Eva summoned Peron's following that were known as the descamisados, or the shirtless ones, to help him. Before long, 200,000 descaminsados entered the capital city and demanded that Peron be their president.

They then were married and Eva became Eva Maria Duarte de Peron. Her dream of being legitimate finally came true. Juan Peron soon started his campaign for president in 1946 and won by a landslide. Eva stood proudly with her husband and the country's people adored her. Eva was a different kind of first lady. She told everyone to call her Evita, because nicknames in Argentina showed very close friends. She kept up loyalty to the workers by establishing the Social Aid Foundation. This charity helped build many hospitals and hundreds of schools. It trained nurses and gave money to the poor. She was also into woman's rights. She organized the Women's Party in Peron's Peronista Party. In 1947, she got congress to pass a bill giving women the right to vote. Afterwards, she arranged the Peronista Feminist Party to make sure that women would vote for Peron.

Eva gained the attention of the world with her Rainbow Tour of Europe to promote Argentinean interests. On the tour, she spent two and a half weeks in Spain. Eva attended dozens of banquets and receptions and her hosts showered her in gifts and jewels. Then she made her way to Italy. It proved to be somewhat of a letdown. Evita was a devout Catholic and hoped then when she met Pope Pius II, he would honor her with a papal title. Her visit was only 20 minutes and she left without a title. The British royalty refused to invite Evita to Buckingham Palace; she was insulted and cut her trip short.

In Argentina, charity was given through a society of women who called themselves the Sociedad de Beneficencia. It's functions had been to "manage and inspect schools for girls, homes for orphans, hospitals for women and all establishments for welfare of that sex." Normally, the society would ask the first lady to be their President but refused to ask Evita. She was so upset, she took away all of their federal funds and created a brand new charity called the Eva Peron Foundation. She ran the foundation herself and gave jobs to 14,000 workers on a permanent basis. The Foundation gave scholarships, and built homes, hospitals, and other welfare establishments.

Another one of Eva Peron's achievements with the foundation was Evita City. It was a huge housing project for the poor that was built in 1948. The houses were completely furnished with beds, tables, even clothes in the closets and they gave a bundle of money to each family. Each day hundreds of people lined up outside her office at the Ministry of Labor. She would listen and decide the best way to help each individual person. She showed much affection towards these people even with the constant warnings from people close to her. In order to fund her Foundation, she had every Argentine worker give one days pay to her each year. Private businesses were also expected to give contributions.

In 1950, the economy was stumbling. There were threats of a massive strike in the streets of Argentina. Peron had no choice but to declare martial law. Anyone who was against Peron was exiled or thrown in prison. Many thought the only way he stayed in power was because his wife held on to the affection of the poor. In 1951, he ran for re-election. Evita was eager to help but wanted to become vice president. A rally of more than a million people arose on August 22 as Peron was announcing his plans for re-election. Eva's supporters kept calling her name until she accepted the nomination for vice president. Argentinean military did not approve of a woman taking a job as vice president and told her if she was elected, she must step down because if something happened to Juan they didn't trust her being the commander in chief. They told her if she did not give up her campaign, there would be a revolution. It was a disappointment for Evita but she had no other choice.

It couldn't have come at a more difficult time. She had not been feeling well. She had barely any energy and was losing weight fast. A number of specialists examined her and found out she had uterine cancer. Juan was very shaken up. It was the same disease that killed his first wife. Evita refused to rest, she was determined to help her husband win his campaign and get re-elected. On Election Day she was too sick to go to the polls, so she voted from her hospital bed. Peron was victorious and nothing could keep her from attending his inauguration party. This would be the last time she ever appeared in public.

On July 26, 1952 Eva Maria Duarte de Peron died of uterine cancer. Juan Peron was devastated. He had lost his wife and his political partner. Evita did manage to write a will in which she gave most of her possessions to the people. "I desire that a permanent fund be constituted with all my assets [to be used] in the case of disasters affecting the poor and I want these to be seen as another proof of my love for them." She had a sum of money equivalent to a year's salary given to each family. The woman born from poverty got honors as that of a president. Even though the Vatican vetoed a plea to declare Evita a Catholic martyr, masses are still held today in honor of "The Lady of Hope." Evita was a saint for many and is a symbol of eternal love and admiration. Evita didn't die in the eyes of her people. She still lives on with a message of love.

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